( No longer ) Anxious Swann

"... knights all, titled and untitled - the great knights-errant" (Joseph Conrad)

Search This Blog

Showing posts with the label Richard Avedon

Posts

Scott Fitzgerald: "The Great Gastby (*3)"

February 10, 2010

+

0

Get link
Facebook
X
Pinterest
Email
Other Apps

"If You Would be a Poet...

... You are Whitman, you are Poe, you are Mark Twain, you are Emily Dickinson and Edna St. Vincent Millay, you are Neruda and Mayakovsky and Pasolini, you are an American or a non-American, you can conquer the conquerors with words..."
— lawrence ferlinghetti — from "poetry as insurgent art " my opinions are not those of my firm -- they are my nan's

Groucho Marx (from the film "Animal Crackers")

" Honorable Charles H. Hungadunga c/o Hungadunga, Hungadunga, Hungadunga, Hungadunga, & McCormack , Gentlemen? In re yours of the 5th inst., yours to hand and beg to rep., brackets, that we have gone over the ground carefully and we seem to believe, i.e., to wit., e.g., in lieu, that despite all our precautionary measures which have been involved, we seem to believe that it is hardly necessary for us to proceed unless we receive an ipso facto that is not neglible at this moment, quotes, unquotes, and quotes. Hoping this finds you, I beg to remain, as of June 9, cordially yours, Regards, " (letter to his lawyer, dictated by captain spaulding -groucho marx- to his secretary horatio jamison -zeppo marx-, in the film animal Crackers -1930)

Celso Emilio Ferreiro "Moi Lonxe"

(Celso E. Ferreiro) " Verdes outeiros da nativa terra durmindo nun azul de fumes quedos. Rente de min estades, doces cumes, pero eu estou moi lonxe, lonxe, lonxe. Serpe de prata, río, longo espello pasando con lecer. As túas augas navegan o meu peito lentamente, pero estou moi lonxe, lonxe, lonxe. Antigas torres en líquenes douradas, o chafarís, as rúas silenzosas vanme cantando un son de gaitas ledas, pero eu estou moi lonxe, lonxe, lonxe. Un neno loiro en preces sulagado buscando amor. Agora vai conmigo, dentro de min, chorándome na ialma, pero eu estou moi lonxe, lonxe, lonxe. Un día voltarei, nativa terra, a descansar en ti dos meus camiños, mais non te alcontrarei. En min te levo, pero eu estou moi lonxe, lonxe, lonxe ."

Frank O'Hara: "You are gorgeous and I am coming"

" Vaguely I hear the purple roar of the torn-down Third Avenue El It sways slightly but firmly like a hand or a golden-downed thigh normally I don’t think of sounds as colored unless I’m feeling corrupt concrete Rimbaud obscurity of emotion which is simple and very definite even lasting, yes it may be that dark and purifying wave, the death of boredom nearing the heights themselves may destroy you in the pure air to be further complicated, confused, empty but refilling, exposed to light With the past falling away as an acceleration of nerves thundering and shaking aims its aggregating force like the Metro towards a realm of encircled travel rending the sound of adventure and becoming ultimately local and intimate repeating the phrases of an old romance which is constantly renewed by the endless originality of human loss the air the stumbling quiet of breathing newly the heavens’ stars all out we are all for the captured time of our being . "

J. R. R. Tolkien; "Leaf by Niggle"

" There was once a little man called Niggle, who had a long journey to make. He did not want to go, indeed the whole idea was distasteful to him; but he could not get out of it. He knew he would have to start some time, but he did not hurry with his preparations. Niggle was a painter. Not a very successful one, partly because he had many other things to do. Most of these things he thought were a nuisance; but he did them fairly well, when he could not get out of them: which (in his opinion) was far too often. The laws in his country were rather strict. There were other hindrances, too. For one thing, he was sometimes just idle, and did nothing at all. For another, he was kind-hearted, in a way. You know the sort of kind heart: it made him uncomfortable more often than it made him do anything; and even when he did anything, it did not prevent him from grumbling, losing his temper, and swearing (mostly to himself). All the same, it did land him in a good many odd jobs for hi

E.E. Cummings: "35"

( nobody, not even the rain, has such small hands) " somewhere i have never travelled,gladly beyond any experience,your eyes have their silence: in your most frail gesture are things which enclose me, or which i cannot touch because they are too near your slightest look easily will unclose me though i have closed myself as fingers, you open always petal by petal myself as Spring opens (touching skilfully,mysteriously)her first rose or if your wish be to close me, i and my life will shut very beautifully ,suddenly, as when the heart of this flower imagines the snow carefully everywhere descending; nothing which we are to perceive in this world equals the power of your intense fragility:whose texture compels me with the color of its countries, rendering death and forever with each breathing (i do not know what it is about you that closes and opens;only something in me understands the voice of your eyes is deeper than all roses) nobody,not even the rain,has such small

Franquin: "Idées Noires"

John Ashbery: "City Afternoon"

" A veil of haze protects this Long-ago afternoon forgotten by everybody In this photograph, most of them now Sucked screaming through old age and death. If one could seize America Or at least a fine forgetfulness That seeps into our outline Defining our volumes with a stain That is fleeting too But commemorates Because it does define, after all: Gray garlands, that threesome Waiting for the light to change, Air lifting the hair of one Upside down in the reflecting pool . "

Mario Benedetti: "Desmitifiquemos la Vía Láctea"

" Tampoco hay que hacer un mito de la vía láctea faja blanquecina dice el larousse debida a multitud innumerable (sic) de estrellas después de todo es un techo interior todo lo vistoso que se quiera aunque en definitiva un poco empalagoso hay quienes la llaman camino de santiago y los que miran fanáticamente el asfalto ni siquiera se han enterado de que existe a veces parece una burda imitación de un planetario de provincia quizá sea una merced del hemisferio austral pero a esta altura no vamos a estimular mercedes además si uno la mira con detenimiento puede llegar a sentir vértigo o tortícolis o un deseo inexplicable de levantar vuelo no hay que hacer un mito de la vía láctea ahora bien ya que la he desmitificado a fondo ¿puedo volver a echarla de menos? "

Tony Judt: "Reapprisals. Reflections on the Forgotten Twentieth Century" // Endorsing Jeremy Corbyn

( yippieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee!!!!!!!!! yippieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee!!!!!!!! ) (past endorsements in this blog have not gone the way we would like it -- but elementary decency and common sense advice a vote against theresa may's brand of nationalistic pettiness -- for the eu, for britain, for the world, for the belief that we are all human way before nationals of country x or country z -- vote corbyn!! ) " Of all the transformations of the past three decades, the dissapearance of 'intellectuals' is perhaps the most symptomatic. The twentieth century was the century of the intellectual: the very term first came into use (pejoratively) at the turn of the century and from the outset it described men and women in the world of learning, literature, and the arts who applied themselves to debating and influencing public opinion and policy. [...] We are all familiar with intellectuals who speak only on behalf of their coun

Karl Ove Knausgaard: "A Death in the Family"

( t hus i spoke, when faster than i could imagine a spirit led me forth from my own home to a place i thought i'd never go. -- holderlin " patmos " ) " There is, in London, a painting that moves me as much every time I go and see it. It is a self-portrait painted by the late Rembrandt. His later paintings are usually characterized by an extreme coarseness of stroke, rendering everything subordinate to the expression of the moment, at once shining and sacred, and still unsurpassed in art, with the possible exception of Hölderlin’s later poems, however dissimilar and incomparable they may be—for where Hölderlin’s light, evoked through language, is ethereal and celestial, Rembrandt’s light, evoked through color, is earthy, metallic, and material —but this one painting which hangs in the National Gallery was painted in a slightly more classically realistic, lifelike style, more in the manner of the younger Rembrandt. Old age. All th

Labels

2046
60's-70's
Air
Alain de Botton
Alan Hollinghurst
Alberto Giacometti
Aldous Huxley
Alexander Ross
Alphonse Lamartine
Altolaguirre

American Novel
American poetry
Amos Nattini
Andy Warhol
Angel González
Anna Akhmatova
Anselm Kiefer
Anthony Hopkins
Antonio Gamoneda
Antonio Machado
Apocalypse Now
Arcade Fire
Arcand
Architecture
Argentinian Poetry
Ariel B. Acosta
Armando Ianucci
Arnold Toynbee
Arnulf Rainer
Arthur Rubinstein
Artic Monkeys
Astrud Gilberto
Astuguevieille
August Macke
Ayn Rand
Bach
Bacon
Barbara Guest
Barbara Kruger
Barragán
Basque Country
Basquiat
Beatles
Beethoven
Belgian Music
Belle and Sebastian
Ben Shahn
Benedetti
Beth Gibbons / Portishead
Billie Holiday
Billy Wilder
Bing Crosby
Björk
Black
Blur
Bob Dylan
Bob Sinclair
Bombay Royale
Boney M
Boris Pasternak
Borodin
Bosch
Botticcelli
Bowie
Brad Mehldau
Brahms
Brazilian Music
Brazilian Poetry
Britto Velho
Bruce Springsteen
Buena Vista Social Club
Calexico
Camille Saint-Saëns
Candido Portinari
Carl Sandburg
Carla Bruni
Carlos Drummond De Andrade
Carlos Fuentes
Carlos Gardel
Carlos Morago
Carlos Puebla
Cash
Caspar David Friedrich
Cat Stevens
Céline
Celso Emilio Ferreiro
Chagall
Charles Baudelaire
Charles Chaplin
Charles Laughton
Charlotte Gainsbourg
Chemical Brothers
Chet Baker
Chico Buarque
Chopin
Chris Isaak
Cioran
Ciprian Porumbescu
Classical Music
Claudio Abbado
Clint Eastwood
Coetzee
Cole Porter
Coltrane
Compay Segundo
Coney Island
Corbyn
Cormac McCarthy
Creedence Clearwater Revival
Creeley
Croatian Naïve Art
Cuban Literature
Cuban Music
Curb Your Enthusiam
Cy Twombly
Czech Novel
D.L.
Damaso Alonso
Daniel Baremboim
Dave Chapelle
David Hockney
David Lynch
Dean Martin
Death Cab for Cutie
Debussy
Deep Purple
Degas
Delacroix
Detective Novels
Deus
Dick Dale
Dickens
Diego El Cigala
Dire Straits
Doctor Faustus' Nosey Fiend
Don McLean
Dore
Dumas
Duncan Dhu
Dylan Thomas
Dyrham Park
E.E. Cummings
Edith Piaf
Edward Hopper
Edward S. Curtis
Egon Schiele
El Greco
Elia Kazan
Eliseo Diego
Ella Fitzgerald
Emile Verhaeren
English Novel
English Poetry
Enki Bilal
Eric Hobsbawn
Eric Satie
Ernst Ludwig Kirchner
Ezra Pound
Family Guy
Favourites of the author of the blog
Federico Fellini
Fernando Pessoa
Film
Films
Foxa
France
Francesco Clemente
Frank Miller
Frank O'Hara
Frank Stella
Frankfurt School
Franquin
František Kupka
French Music
French Novel
Fresones Rebeldes
Frida Kahlo
Fyodor Dostoyevsky
G.P.U.
Gabriel Faure
Gabriel García Márquez
Galician Literature
Galician Painting
Galician Poetry
Gary Snyder
Gauguin
Generación del 27
Georg Grosz
Georges Braque
Georgia O'Keefe
Gerardo Diego
Gerhard Richter
German Literature
Gideon Rachman
Giorgio Di Chirico
Girls
Goethe
Goya
Grace Hartigan
Grimaud
Haendel
Hannah Höch
Hans Zimmer
Harold Bloom
Hart Crane
Hebrew Poetry
Helen Frankenthaler
Helmut Newton
Hemingway
Hendrix
Henri Michaux
Henri Rousseau
Herbert Marcuse
Herbert Von Karajan
Hermès
Hernan Cortes
Hilda
Hiroshige
History
Holderlin
Howard Hawks
Humour
Isaac Brodsky
Isabel Coixet
Itoiz (Ezekiel)
Ivan Aivazovsky
J.C.
Jack Kerouac
Jack Lemmon
Jackson Pollock
Jacques Brel
Jacques Prévert
James
James Ensor
James Ivory
Jan Fabre
Japan
Javier Carvajal Ferrer
Javier Cercas
Jazz
Jean Arp
Jeffrey Sachs
Jeremy Irons
JHH Weiler
Joan Miró
Joaquín Sabina
John Ashbery
John Fitzgerald Kennedy
John Scalzi
John Singer Sargent
Jon Juaristi
José Hierro
José Lezama Lima
Josef Sudek
Joseph Brodsky
Joseph Conrad
Joseph Heller
Joseph Ratzinger
Juan Gelman
Juan Luis Guerra
Juan Ramón Jiménez
Judi Dench
Julio Acinas
Julio Cortázar
Julio Iglesias
Kandinsky
Karl Llewellyn
Karl Marx
Karl Ove Knausgaard
Karl Schmidt-Rottluff
Karmelo Iribarren
Kazimir Malevich
Kazuo Ishiguro
Kenneth Koch
Khatia Buniatishvili
Kiaorastami
Klimt
Krzysztof Kieslowski
Kundera
Langston Hughes
Larry David
Lauris Beinerts
Law
Lawrence Durrell
Lawrence Ferlinghetti
Lawrence of Arabia
Led Zeppelin
Lena Dunham
Les Miserables
Lincoln
Literary Criticism
Lloyd Wright
Lord Byron
Lou Reed / Velvet Underground
Louis Armstrong
Love
Luis Cernuda
Luis Pimentel
Madredeus
Magritte
Mahler
Malick
Management
Mano Negra
Manu Chao
Marguerite Yourcenar
Maria Tsvetayeva
Marilyn Monroe
Marina Tsvetayeva
Mark Rothko
Mark Strand
Marlene Dietrich
Marlon Brando
Marta Argerich Schumann
Martha Argerich
Martin Amis
Martin Scorsese
Marx Brothers
Mary Shelley
Masaccio
Massenet
Matisse
Maurice Ravel
Mavi Lezcano
Max Ernst
Max Weiler
Mayakovsky
Mazower
Melville
Mendehssohn
Mendelssohn
Mexico
Michael Goldberg
Michael Nyman
Miguelanxo Prado
Mika
Milton
Milton Avery
Miyazaki
Moby Dick
Modigliani
Moebius
Monty Python
Morrissey
Mozart
Munch
Music
My Bloody Valentine
Nadia Comanesci
Nancy Sinatra
Natasha Thretheway
New York City
New Yorker Cartoons
Ngyen Chi Thien
Nick Drake
Nietzsche
Norwegian Literature
Novel
Novel From Hungary
ns-mml
Oliverio Girondo
Opera
Orson Welles
Otto Dix
Otto Preminger
Paco de Lucía
Paris
Patrick Modiano
Paul Celan
Paul Éluard
Paul Klee
Paul Krugman
Paul Nash
Paul Rebeyrolle
Paul Simon
Paul Valéry
Paul Verlaine
Pedro Salinas
Philip Larkin
Philip Roth
Philosophy
Photography
Photos of Proust
Piazzolla
Picasso
Piet Mondrian
Pink Floyd
Placebo
Poetry
Poetry from Uruguay
Poetry in French
Poetry in German
Politics
Portuguese Literature
Portuguese Poetry
Poussin
Prado
Pratt
Prokofiev
Proust
Proustian lore
Puccini
Pulp
Quino
Rabuzin
Radiguet
Radiohead
Radu Lupu
Rae Armantrout
Raoul Dufy
Raphael
Rauschenberg
Raymond Chandler
Religion
REM
Rembrandt
René Char
Renoir
Revel
Richard Attenborough
Richard Avedon
Richard Haas
Richard Hawley
Richard Wagner
Robert A. Heinlen
Robert Capa
robert Delaunay
Robert Motherwell
Roberto G. Méndez
Roberto Matta
Rolling Stones
Russian Literature
Russian Poetry
Saint-Exupery
Salvador Dalí
San Juan de la Cruz
Sandor Marai
Sanne Wevers
Satie
Savall
Schoenberg
Schuiten
Schuyler
Scott Fitzgerald
Seurat
Sextus Empiricus
Sharon Olds
Shirley MacLaine
Short Stories
Silvio Rodriguez
Simon and Garfunkel
Simon Critchley
Smashing Pumpkins
Smetana
Soldiers
Sorrentino
South African Literature
South Park
Spain
Spanish Films
Spanish Music
Spanish Novel
Spanish Poetry
Sports
St. Matthew
Stanley Kubrick
Stephen Dunn
Stephen Vincent Benet
Sviatoslav Richter
T. S. Eliot
Tal R
Tango
Tapies
Ted Berrigan
The Auteurs
The Be Good Tanyas
The Byrds
The Clash
The Doors
The Kinks
The Pogues
The Smiths
The West Wing
The Who
The Who Wittgenstein
The Wire
Thiebaud
Thomas Mann
Thoreau
Tigres del Norte
Titian
Tolkien
Tom Waits
Tony Judt
Toquinho
Truman Capote
Turner
U2
Unamuno
Valente
Vargas Llosa
Vermeer
Vietnamese Poetry
Viktor Frankl
Vinicius de Moraes / Joo Kraus
Vivaldi
Vogue
W. S. Merwin
Wallace Stevens
Walt Whitman
Washington Irving
Waugh
Wilde
Wilhem Thöny
Willem De Kooning
William Blake
William Carlos Williams
William Faulkner
William Shakespeare
Willy Ronis
Wim Wenders
Wolfgang Sievers
Wong Kar Wai
Woody Allen
Wynton Marsalis
Xosé Luis Méndez-Ferrín
Yann Tiersen
Yehuda Amichai
Yoshitaka Amano
Yves Klein
Yves Tanguy
Zbigniew Preisner
Žižek
Zwan

Show more Show less

Cy Twombly

Total Pageviews

More Twombly!

The Blog's Inspirator!

Powered by Blogger